Discussion about the Humanistic Value and the Road of Inheritance of Folk Music

Authors:Leiying Xia, Lei Xue

Abstract


China’s folk music is a kind of non-professional music culture created by the masses and spread among the people on the basis of the common prosperity of various ethnic groups in China. This music cultural form contains rich artistic, social, humanistic and economic values, and is an important part of the traditional music culture of the Chinese nation. Inheriting excellent folk music culture has profound meaning to the development of China’s culture, economy, politics and other aspects. Under the background of world cultural integration, it is imperative to correctly understand the humanistic value of folk music and actively explore its inheritance path. This paper expounds the important humanistic value of folk music culture through specific analysis, and chooses the inheritance path suitable for its development based on the development characteristics of the current era.

Full Text:

PDF

References


Blake, D.K., 2016. University geographies and folk music landscapes: students and local folksingers at the university of illinois at urbana-champaign. Journal of Musicology, 33(1), 92-116.

Bohak, C. and Marolt, M., 2016. Probabilistic segmentation of folk music recordings. Mathematical Problems in Engineering(8297987)

Chen, C.H., 2019. On ethnic and folk music and its inheritance. Journal of Wuhan Metallurgical Management Cadre Institute, 29(02), 95-96.

Cui, Y.F., 2019. Teaching status analysis of music intangible cultural heritage. Art and technology, 32(05), 120+168.

Ersoy, I., 2018. The dichotomy between art music and folk music in the framework of turkish traditional music and its relation with social layers. Tarih Kultur Ve Sanat Arastirmalari Dergisi-Journal of History Culture and Art Research, 7(2), 639-652.

Jia, T., 2019. Research on the protection, inheritance and transformation of ethnic and folk music under the background of new era. Art Science and Technology, 32(09), 153.

Liang, H.E., 2019. The sorting, classification and dissemination of traditional folk music works based on the perspective of the database construction of Xinhui Da ‘ao brine song. Art Education, (06), 66-67.

Liu, J., 2019. Characteristics and development of Chinese ethnic music. Northern Lights, (06), 20-23.

Luo, X., 2019. The impact of the protection and inheritance of folk music art on the implantation of western music culture in the digital era. Northern Music, 39(11), 43+55.

Meng, S.N., 2019. Application research of Hebei folk music in music teaching in higher vocational art colleges. Voice of Huang he, (07), 77.

Shkredova, I.N.; Chikhachyova, M.M., and Ekard, L.D., 2018. The rites and songs of the life cycle in the yenisey area of the krasnoyarsk region (based on the results of the folk music expeditions of the krasnoyarsk institute of arts). Problemy Muzykalnoi Nauki-Music Scholarship(1), 104-111.

Tang, Z.M., 2019. Music communication of hakka folk in Guangxi under multicultural background. Art research, (03), 62-63.

Tian, B., 2019. Research on folk music art style and inheritance value. Chinese Journal of Education, (07), 131.

Wang, J.Y., 2019. Exploration of practical experience teaching mode of ethnic and folk music curriculum in colleges and universities. Journal of Aesthetic Education, 10(03), 97-103.

Zhou, Q.Q., 2019. Scattered structure of Chinese folk song music. Journal of central music college, (02), 28-44+126.

Zhou, Y., 2019. Practical exploration of Guangxi ethnic and folk music integration into music classroom of general normal students. Art Science and Technology, 32(06), 64.


Refbacks

  • There are currently no refbacks.






 

 Copyright  2019 Hermathena. All rights reserved.